Anne Baring; values and inspiration

I’ve been thinking about values today and I made a lucky find. I was reading The Dream of the Cosmos: A Quest for the Soul by Anne Baring. And I found a wonderful quote on the feminine values we seem to have lost, or to be newly re-discovering.

Anne has long been an inspiration for me. Many years ago I discovered the book she wrote with Andrew Harvey; The Mystic Vision: Daily encounters with the divine. It was tucked away in a pile of second hand books. Now 88, Anne travelled widely in India and the Far East during the 1950s, before training and practising as a Jungian analyst. The Dream of the Cosmos: A Quest for the Soul is a summary of her life work. The ground of all her work has been a deep interest in the spiritual, mythological, shamanic and artistic traditions of different cultures.

The Quote

Anyway here is the quote on values:

“The soul and the feminine archetype in their deepest sense have always carried the values of the heart; the values that honour wisdom, justice, compassion and the desire to help and heal”

Later she talks about our loss of the feminine and the instinctive knowledge of the whole unity of things, reverence for the interconnected aspects of life, trust in the power of the imagination and the faculty of intuition. Recovery of what we have lost will mean relating to life with participation rather than dominance and control. Dominance and control are leading to what in effect is the crime of ecocide and the destruction of our environment, ourselves and life on this earth.

Along with Anne I’m beginning to think about values at a later stage in my own life and in the world as it is now. Like everyone else, I have a lot more thinking to do.

Sherlock Holmes and a Mystery

On Location 1f
Benedict Cumberbatch, a 21st Century Sherlock

We all know Mr Darcy of Pride and Prejudice has a mysterious attraction for women. It has been pondered on for years and by many! But is the same thing true of Sherlock Holmes? Certainly for me it is! For some reason this hero of detective fiction fascinates me! And I don’t think it is only for the quality of his mind, although that is certainly part of the magic.

Sherlock Holmes certainly seems to represent some archetype as a Victorian gentlemen detective. This brilliant, London based, “consulting” detective has an odd charisma all his own. He seems to mesmerise both men and women and people have great difficulty recognising that he is, in truth, a creature of fiction. Many visitors seek out his home and I gather letters are still sent to his London address asking for help in solving difficult crimes.

But for all his popularity, he never seems a wholly good character. He is flawed and ambiguous, even though he is supposed to have taken up bee-keeping in later life. There seems to be something that is not quite right about him and something that is more than a little wicked. There is certainly arrogance and a chilling intellect that is dangerous, magnetic and repulsive at the same time. We float around him in our admiration like moths around a blue flame that should be cold as ice.

Apparently, he is the most portrayed character in film and in his latest TV incarnation, played by Benedict Cumberbatch, we seem to have a Sherlock for the 21st Century.

As for me, fascinated as I am by Sherlock, he is certainly not someone I wish I could meet. His relationships with women are distinctly odd and I suspect he would be cruel. If I did encounter him, I am sure I would loathe him intensely in the flesh but there on page or screen, oh my! I can’t wait till he turns up again.

Madness, Pegwell Bay and The Bird of Night

Pegwell Bay, Kent – a Recollection of October 5th 1858 by William Dyce

Painted after a trip Dyce made in the autumn of 1858 to Pegwell Bay near Ramsgate, on the east coast of Kent, this picture is supposed to show various members of his family gathering fossils.  He has carefully recorded the flint-encrusted strata and eroded faces of the chalk cliffs; in the sky is the barely visible trail of Donati’s comet! But the shell pickers have their eyes on the ground, not necessarily understanding or perceiving their transitory place in the universe!  The location is interesting because it is the supposed site of Christianity first coming to Britain and it is a famous location for fossil hunting.  In the book, The Bird of Night,  the painting is a great source of interest for poor, mad Frances who thinks he understands the painter’s intent!  If you study the painting for a while it becomes haunting and, for me, so was this book!

The Bird of Night is the story of the relationship between Egyptologist Harvey Lawson and poet Francis Croft.

Francis is not just a poet but a brilliant poet, writing works that mark him as a genius and the foremost poet of his age. He also suffers bouts of crippling madness.

I loved this book with its metaphors of birds and landscape – owls as good and evil and the wonderful and wicked Venice.  No wonder Francis calls his poem Janus – he of the two faces! I had not read a gothic novel quite like it. The turbulent descriptions of madness were as frightening as thunder storms. The black notebooks delicately picked out the poet’s life – thank goodness for Moleskin!

I loathed the dry, faithful Harvey and I loved mad, dangerous and fragile Francis.  How could he deal with his intoxicating gift and his guilt for wanting to kill his brother for his cruelty and  his guilt, probably,  for his homosexuality? He has lived through the First World War which he seems to have found oddly comforting!

Apparently Susan Hill, herself, had doubts about the book even though it won her the Whitbread Novel Award in 1972.  She remarked in 2006 that “it was a book I have never rated. I don’t think it works, though there are a few good things in it. I don’t believe in the characters or the story.”  I don’t think I believed in the characters, they were not really rounded out, but for me the two characters worked brilliantly as counterpoints.

I found the two characters almost reminiscent of Charles and Sebastian in Brideshead Revisited.  I had a picture of Anthony Andrews (from the TV dramatisation) in mind whenever I thought of Francis – the cover picture for me was of Harvey!  Waugh wrote of Brideshead Revisited that the novel “deals with what is theologically termed ‘the operation of Grace”.  For me, to some extent, The Bird of Night deals with the absence of Grace and it is not surprising that Frances chooses to make his end in a church with a pair of secateurs.